Tuesday, December 30, 2008
When life gives you lemons
Wednesday, December 17, 2008
Happy Holidays
Thursday, December 4, 2008
Swimming as TEAM sport
- I celebrate each and every birthday on the team. This has led to memorable stretches where we had 6 parties in a row but it also brought attention and more swimmers to the team!
- We do team related activities (i.e. relays, group effort exercises) EVERY practice.
- I require the adoption of team items (swim caps and t shirts) at every meet as well as require every swimmer to cheer for whomever is swimming at any given time.
- I invite family members to participate in regular team parties and in practices and meets to involve the family in the "swim family".
- I have a "peer instruction" day once each week at practice. This is a time when swimmers coach each other to improve storke methodology and get to know each other.
Sunday, November 30, 2008
Swim to YOUR Strengths
- Streamlining is key (you want to create as little resistance as possible as you move through the water by staying as horizontal as possible; keeping your head, neck and spine in a straight line; and keeping a low profile while breathing so you don't interrupt the stroke)
- Keep a firm anchor on the water with your hands/arms in order to maximize how far you move with each stroke (you want to constantly keep your hands and arms in a position that moves the body forward, not up or down or side to side. Swimmers use lots of different stroke variations but all good swimmers are effecient at maximizing the amount of distance they move through the water with each stroke)
- Keep a steady, fast kick (a steady fast kick keeps the body horizontal and thus more streamlined and provides a steady base of propulsion to help get more distance with each stroke)
Sunday, November 23, 2008
Freestyle
Wednesday, October 8, 2008
The open turn (breaststroke and fly)
The details for an open turn for a belly down to a belly down stroke (like breaststroke) are:
- Approach the wall.
- Touch the wall with your hands.
- Begin to pull yourself into a tuck, knees moving up towards your chest.
- Look at your hands on the wall (you can begin to take a breath here).
- Pull one hand underwater and away from the wall.
- Move that elbow underwater towards the hip on the same side while still looking at the other hand left on the wall (helps prevent over twisting).
- Twist onto your side as that underwater hand swings out (still keep your eyes on your hand on the wall to prevent over twisting) - this requires you to rotate along your spine and tip your hips towards the wall.
- Continue to pull your knees towards your chest, aim them toward the shoulder attached to the hand moving underwater (this helps you rotate onto your side later).
- Swing and extend the hand going underwater out and around, still underwater, to point the direction you want to go now (where you just came from).
- As your feet approach the wall (when you pull your knees up, your feet better follow!), move the second hand off of the wall and towards your eyes, above water.
- Plant your feet on the wall side by side, toes pointing sideways or upwards (at about 45 degrees).
- You should be on your side and tipping away from the wall with your upper body.
- Keeping your head turned (chin on your shoulder) and looking towards the wall (or up towards the ceiling as you follow your hand) as long as possible to help prevent over twisting, move the above water hand into the water just above your head and extend it to meet the underwater hand.
- Lock the hands together, one on top of the other.
- Your tipping should have brought you underwater, laying on your side, feet on the wall, hands and arms extended in a streamlined position.
- Extend your legs and push off the wall on your side.
- As your feet leave the wall, make sure you are rotated so your belly is more towards the bottom of the pool than the surface (this keeps you legal).
- You've done it!
A common part of all turns is the streamline
To maximize your push off of the wall, remember to streamline.- Extend your hands over your head, pointing the direction you want to go, placing one hand on top of the other and wrapping your upper hand's pinky and thumb around your lower hand.
- Stretch from your fingertips, through your body, down to your toes.
- Make your body a long and as skinny as possible.
- Your arms should be snug against the back of your head, biceps behind your ears, with a smooth (well, relatively smooth) surface from the back of your hands to the tips of your toes.
Maintain a streamline as long as you are moving faster than you can swim - just before you slow down, you will begin the "breakout" or transition from the streamline to swimming. Details later; for backstroke, butterfly, and freestyle, you begin to kick first, then add arms as you surface, then take a breath after completing a few strokes. Breaststroke is a pull first (full pull, with the hands finishing by your hips), then the hands recover back to a streamline, followed by a kick, then into your normal stroke as you surface.
Wednesday, July 30, 2008
An approach to practice...
Indeed, many swimmers and triathletes enjoy training endurance because it feels like a real workout (the "no pain, no gain" approach). However with consistent endurance training, it is easy to fall into a pattern of swimming longer distances at slower paces.
Sunday, July 27, 2008
Engaging the Core in Freestyle
1) Have an intention to use your hands to "hold your place" in the water, rather than to push it back. Your hand will still move back; indeed to an extent it will still push water back. But that intention will cause you to engage core muscle more and arm muscle less.
2) Using the slight leverage offered by that gripping hand/arm, drive the "high side" of your body down. This taps the free energy available from gravity to assist in your intention. It also results in your swimming with your body, rather than using your arms to drag it through the water.
In freestyle, as your left hand is "patiently" establishing a grip, the right hip will be higher than the left. Rather than exert left-arm muscles to push water back, use them to stabilize your hold on the water as you drive the right hip down. Indeed think of using your right hip to drive your right hand past the gripping left. This should result in a sensation of sending energy forward rather than back.
Friday, July 25, 2008
Some Swim Strategy for strokes and Races
FREESTYLE
| Distance | Pattern | Pace |
| 25 yards | As few as possible | Sprint |
| 50 yards | Every 6 or 8 | Sprint |
| 100 yards | 2-2-4 Build 1st 50 or every 3rd (Bilateral breathing). | Spirit 3rd lap Last lap takes care of itself. |
| 200 yards | 2-2-4 or 2-2-3 or 2-2-2-3 Build 1st 100 | Sprint 3rd 50 Last lap takes care of itself. |
| Starts | No too deep Kick and streamline Do not breathe 1st stroke |
| Turns | Accelerate inside the flags Snappy flip turn Streamline and kick off wall Do not breathe 1st stroke |
| Finishes | Accelerate inside the flags Do not breathe last 5 yards Reach and touch the wall underwater - no extra stroke |
| 100IM | Breathe 2 down - 1 up in the fly Build your backstroke Faster pace on breaststroke - stretch & streamline Finish strong in freestyle and remember your breathing pattern Good transitional turns Do not breathe last 5 yards at the finish |
| 200IM | Breathe 2 up, 1 down in fly Build the 1st lap and sprint 2nd lap of each stroke Remember your zones - accelerate in and out of all turns Good transitional turns - long streamlines off all walls Stick to your breathing pattern and do not breathe last 5 yards in freestyle |
BREASTSTROKE
| Distance | Breathing Pattern | Pace |
| 25 yards | Every stroke | Sprint |
| 50 yards | Every stroke | Sprint |
| 100 yards | Every stroke | Build 1st 50 Sprint 3rd lap Last lap takes care of itself |
| Starts | A little deeper than freestyle 3-2-1 pulldowns Accelerate inside the flags |
| Turns | "Karate chop" - telephone call" Touch with 2 hands Snappy flip A little deeper than freestyle 3-2-1 pulldowns |
| Finishes | Accelerate inside the flags Stretch for the wall - do not take an extra stroke Always touch with 2 hands under water |
BUTTERFLY
| Distance | Breathing Pattern | Pace |
| 25 yards | As few as possible | Sprint |
| 50 yards | 2 down - 1 up | Sprint |
| 100 yards | 2 up, 1 down or every other | Build 1st 50 Sprint 3rd lap Last lap takes care of itself |
| Starts | A little deeper than freestyle Long streamline and dolphin kick hard to surface Do no breathe the first stroke |
| Turns | "Karate chop" - "Telephone call" Touch with 2 hands A little deeper than freestyle Long streamline and dolphin kick hard to surface Do not breathe the first stroke Accelerate inside the flags |
| Finishes | Do not breathe the last five yards of your race Accelerate and charge the wall Always touch wall underwater with two hands Reach for the wall Do not take an extra stroke on your finish |
BACKSTROKE
| Distance | Breathing Pattern | Pace |
| 25 yards | As few as possible | Sprint |
| 50 yards | 2 down - 1 up | Sprint |
| 100 yards | 2 up, 1 down or every other | Build 1st 50 Sprint 3rd lap Last lap takes care of itself |
| Starts | Hands on gutter Long streamline 2-4 dolphin kicks then flutter Strong breakout stroke - 1 arm only |
| Turns | Accelerate inside the flags Know your stroke count from the flags without looking for wall Snappy flip Long streamline 2-4 dolphin kicks then flutter Strong breakout stroke - I arm only |
| Finishes | Accelerate inside the flags Know your stroke count Last stoke-head goes back and kick Charge the wall Always touch wall under water Do not breath the last 5 yards YES, even in backstroke! |
